The U.S. Copyright Office instituted an inquiry into a registration relating to a graphic novel that uses AI-generated artwork.
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artificial intelligence
Should AI Machines Have Rights?
In the last few years, the U.S. Copyright Office refused to allow a copyright registration for a work of art created by a machine, and a federal district court held that an artificial intelligence system could not be an inventor on a patent. However, before we decide whether an AI machine can have property rights, we will need to resolve a far more difficult question. Should AI machines have basic rights? This question requires consideration of ethical concepts, scientific knowledge, and legal issues. We cannot answer this question now because we do not have enough information.
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AI Systems May Invent, But Are They Inventors?
Previously, the Court of Appeals for the Federal Circuit (“Federal Circuit”) has found that a non-human may infringe patents. Arguably, an AI system, which is a non-human, can also create or invent. But can an AI system be a named inventor on a patent? The Federal Circuit recently addressed this issue in Thaler v. Vidal.
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The Briefing by the IP Law Blog: Copyright Office Rejects Application for A.I. Created Art Work
In this episode of The Briefing by the IP Law Blog, Scott Hervey and Josh Escovedo discuss the U.S. Copyright Office’s refusal to register a copyright for a piece of artwork created by Artificial Intelligence.
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Is Machine-Made Art Copyrightable?
The United States Copyright Office has refused to register a copyright for a work of art created by a machine.
The work of art is a two-dimensional picture that is mostly dark and sort of looks like a painting. It is a view looking towards a series of two archways over railroad tracks, with walls along the sides covered in very dark green, purple, blue, and pink foliage, with a tiny bit of blue and cloudy sky above. The title is “A Recent Entrance to Paradise.” The work was created by a machine called “Creativity Machine” and was submitted for copyright registration in 2018 by Steven Thaler.
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